Overlooked middle class

That was a stage when dish TV was still a fresh experiment in India, and a rare commodity in small towns akin to mine where having a dish connection destined getting loads of undesired frenzied cricket fiend in your drawing room to track team India when they were overseas and no more accessible on Doordarshan (however watching gregariously helped to put up with the gloom of loses we consistently guzzled on foreign soil). I was privileged (still wary) to have it near the beginning. That was also the stage which I used up by and large watching no matter what on TV. It was a time when I was entirely eclectic and robotically followed the whole lot. Thus I have a reasonably first-rate experience of Hindi cinema under my belt. Though I am not proficient to keep track of it from past few years as for a while I was busy in preparation for highly demanding cutthroat competitive exams (though what I finally landed in makes me feel ‘Was that worth?’) and after that I was struck by Hollywood masterpieces (so you see, I take no lessons from life).

Now though I don’t watch them anymore, but few innovative and creative exceptions, still by following the trailers on TV and internet I observed that all most all the bollywood yield are either dealing with a same monotonous stories based in a high societies aristocratic backdrop or on underworld and criminals psychology. We have one camp of director, producer delivering feel good movies full of pomp and show illustrating all the exotic and striking locations, big mansion, costliest automobiles, sexiest and shortest attire, cosmopolitan lifestyles, latest trends, phoniest dialogues and exceedingly illusory characters (karan jauhar is a champ in this group). Then we have another camp delivering movie depicting criminal mindsets, filthy language, underworlds jargon, scrupulous politics, unwrap prostitution, intricacies of pervert system, crooked officials and one indomitable chap against all odds (Ram Gopal verma leads here). Then there are also some who are on the go creating senseless and irrational potboilers (Faraha Khan is the Queen in this genre).

If we leave aside some very rare exceptions than in past few years hardly any movie was made showing the simplicity of a common man’s life and the middle class way of affairs. Gone are times when a Hrishikesh Mukherjee touched the cords of entertainment with the fingers of an ordinary man to create eternal tone of art. Gone are the times when just an Amol Palekaer and Uttpal Dutt were all it needed to create a spectacular success of peerless comedy.

When I think why it is so that middle class has been omitted from silver screen in India I get few response. One is may be the geniuses of olden days have already exploited all the stories which could be possibly thought of as entertaining regarding this class. A second notion says may be the general mass itself is not much fascinated in paying to see the same melancholy of his day to day life on screen and perceiving this fact the directors are reluctant to make such ones. My third speculation is as mostly the filmmakers themselves are from the cream of the crop elite class and are not much sentient of the ramification and shade of life of middle class and are incapable to discover it now they vacillate to make a movie on it. Whatever the exact reason or reasons may be, indubitably (no may be) there is large interlude of absence of movies of this particular genre and thus creates a space which if proficiently exploited can ensure good returns to filmmakers. Now seeing that management gurus like Mr. Arindham Chaudhary and corporate houses like Reliance are trying hand in moviemaking may be someday they may realize this fact and we may be fortunate enough to witness few may be classics of this genre in our era and may reply our parents ‘See its not all crap, still we have lots of movies which make sense.’ Till then it’s only a lot of MAY be.